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Chapter 4 the show cont. There also was another part of the show that included a cube frame structure, a trellis like arrangement that framed a chair display (below),This show was the last time I worked seriously on strut structures. Although I had made good progress with their development, I had been thinking for some time that I should include the panel again in the part inventory. See below. |
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Early Cube joint (#5), 2nd left, uses the six-way symmetry of the truss node, circa1986. The bracket for node #11, left and below as it is cut from a flat sheet. This bracket demonstrated four-way symmetry with a vertical central axis. 30"x 30" x 1/2" thk., Finland Birch, 1988 |

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Chapter 5 New Panel Spheres Janice Avery wrote: The lessons are fascinating - I sit and try to understand
the way everything fits together. Can't get to how your mind
work to figure these things out jan Glad to get your feedback. The big step I think was at the beginning. I had confidence that I could solve any problem and therefore kept working and working on the same things until I had developed a method to help me keep going in the same direction. I am still just following a path that I set out on at the very beginning. "Simplicity is not simple" I don't feel very smart at all. I see all of my mistakes and
how long it takes me to get from one point to another. And my
obstinate avoidance of marketing and/or of asking for help is
a mystery to me, Although I keep trying to do more, I am always
waiting for someone else to want to join in and insist on it
and still I would hesitate to disturb my equilibrium. |
![]() Lamps from 1989 |
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Chapter 5 1/2 At a tribute that I went to for Italian architectural critic
Bruno Zevi a question was asked of Frank Gehry who spoke because
Zevi was an admirer |
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You remember from those lamps (prior chapter)
that I again went to the geometry of that first structure (technical
name; rhombicuboctahedron), this time with a new connection system
where only alternating square faces were filled with panels such
that they met point to point. Those are the |
Copyright 2001 Gregg Fleishman